Wendover Productions on the logistics of these huge military cities at sea.
Great Big Story: This is the story of how a tiny, magical creature was transformed into a cultural phenomenon by inventor, marketing genius and complicated eccentric Harold von Braunhut. Full of fun facts (both charming and disturbing), Just Add Water is a colorful short film about a half-century of marketing directly to children, the force of nostalgia in pop culture, and an unlikely meeting of flim-flam and hard science. A film by Penny Lane.
What are the rhetorical strategies the alt-right uses to legitimise itself and gain power? How do these strategies work? Why do they work? How do we keep from falling for them? And how do we catch ourselves when we start using them, too?
Ian goes on to talk about how the Alt-Right controls the conversation, why they never play defence, the ‘mainstreaming’ of fringe groups, ‘The Ship of Theseus’ and most recently the death of a euphemism.
If you want to win, you have to understand why you’ve been losing.
Film Courage: What is a high concept movie idea? It’s something that has been brought up a handful of times in our interviews. We know it can be an elusive topic. Here is the best of what we have, hope you find it helpful.
Vox: That elbow in the lower right-hand corner is attached to a young hospital worker from Texas, who anonymously reported her harassment for fear of the negative impact it could have on her and her family. It represents a much larger contingent than the women on the cover: the silence keepers.
Time: The worker, who made a sexual harassment complaint anonymously, told TIME she remembers vivid details about what happened to her, and she couldn’t stop wondering whether she could have prevented the encounter. She said: “I thought, What just happened? Why didn’t I react? I kept thinking, Did I do something, did I say something, did I look a certain way to make him think that was O.K.?”
See also: Other posts tagged ‘equality’.
The Royal Ocean Film Society: I’ve been asked a lot what the process of making these essays is like, but rather than just droll on about recording voiceover, late night editing sessions, and falling into despair upon seeing the first cut, I want to take these few minutes to talk about how that working process has evolved creatively over the past year, and about where I’m trying to take these essays in the future.
Project Kino on the invisible art of SovietWomble’s subtitling craft. I’m not familiar with this particular YouTuber, but clever animated subtitling work on gaming videos — typically online shooters — are definitely an artform.
See also: Vanoss – Crafting Cinema in Video Games
Shad M Brooks is a huge, huge fan of swords and castles, amongst other geeky subjects, all of which he enthusiastically explores on his YouTube channel, Shadversity. I’ve been really enjoying his castles playlist.
Skyhold from Dragons Age Inquisition apparently gets quite a lot right…
However, he’s less complimentary about the ‘castles’ of Skyrim, which get some basics right but completely fall apart when you look at the details…
There’s some praise for The Lord of the Rings, but also a lot about the castles that doesn’t make sense…
In those videos Shad shows off and explains his own rather cool design for a more realistic fantasy castle he calls ‘Honor Guard’.
This Exists: Have you ever been listening to a normal song and thought, “I really wish this normal song had 280 million notes and took up 1.1 terabytes of data and was literally unplayable on any computer?” Of course, you’re only human. Black MIDI is the hypnotic madness you’ve been craving.
Black MIDI is a sequenced MIDI file so dense with notes, it literally just appears to be jet black.
The way you are using Excel causes errors, creates incomprehensible spaghetti spreadsheets, and makes me want to stab out my own eyes. Enough of the =VLOOKUPs with the C3:$F$38. You don’t even know what that means.
An Excel primer from Joel Spolsky of Joel on Software fame.
Mark Brown: Some games are all about nostalgia – a reminder of how games used to be. No game nails this sensation quite like Shovel Knight, which expertly picks and chooses the right bits to emulate from old games. Here’s how Yacht Club Games pulled it off.
Now You See It: Are jump scares cheap? Should we get rid of them? Short answer: No. They suck, but they have more potential than you may think.
Nat and Lo: After making (and uploading) videos to YouTube for about a year, we finally decided to go behind the scenes of YouTube and ask the YouTube engineers how YouTube actually works.
Three theories of how liberals and conservatives think, compiled by Nicky Case.
I’m posting this in large part because I like the format. It’s more interesting than just a text screenshot or tweetstorm when posted on social media, and it looks good in a blog post. I also appreciate that it’s explicitly public domain to encourage sharing.
It’s not a proper infographic, it’s not an essay and it’s certainly not a comic, but it is a little of all of these things.
See also: other posts tagged ‘politics’.
“Studies of identical twins have confirmed what we know deep down — it’s not Nurture vs Nature, it’s nurture AND nature.”
Despite whatever presets there are in Premiere, scene transitions are not limited to wipes, fades, or dissolves. Let’s examine the work of David Lean and see what unique ways we can find of cutting picture and sound together to make transitions really shine.
The Royal Ocean Film Society is a video essay series by Andrew Saladino devoted to the style, craft, and analysis of everything film.
The U.K. and Europe can’t exactly go their own ways once their divorce is finalized. On trade, customs, defense and the global flow of capital, the European Union and its cross-channel neighbor will continue doing business after Brexit. The question is, how?
“The Norway model (also employed by Iceland and Liechtenstein) is getting a lot of attention as a potential path for the U.K. But while that would preserve most economic ties, it would also retain many features of EU membership that the British people rejected, such as free movement of labor and paying into the European budget. That’s the dilemma for policy makers.” — Bloomberg
“I feel like I should have a really good answer for this, but somehow I also feel that the question is wrong.”
Mac Premo: I sat down with Jad Abumrad and talked about sound, music and the function of music. Then I turned that conversation into a film.
(via Boing Boing)
Adam Westbrook: We live in times of seemingly unending progress – and yet somehow things still always go wrong: trains are late, broadband speeds suck and the promotion always goes to the wrong person. Well, it turns out there’s an explanation for all this – and progress itself is the problem. Meet The Peter Principle.
See also: The Long Game: The struggle for art in a world obsessed with popularity — A series of video essays by Adam Westbrook: All of history’s greatest figures achieved success in almost exactly the same way. But rather than celebrating this part of the creative process we ignore it.
Witness the magic of moviemaking and journey into the little known world of Foley Artists, who bring films to life with their perfectly-timed sound-effects.
Tony Zhou For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel?
Includes a quote from legendary film editor Thelma Schoonmmaker who perfectly describes a problem I’ve long felt with today’s ultra fast cut-cut-cut movies:
“I think [modern filmmakers] are sticking stuff out there and asking you to believe it, but they’re not making you believe it.”
A quick look at Pixar’s approach to storytelling and character development.
Mikey presents: an underrated Edgar Wright classic, Scott Pilgrim. Bask in the editing insanity that Mikey puts into a Youtube show that practically no one watches.
Mikey dives deep on not only one of the greatest films of the last five years, but also the birth of cinema as an art form. This is probably important. Or maybe it isn’t? Who really knows?
“Movies With Mikey is a comedic look at films by Mikey Neumann. Unlike other review shows, the aim of MWM is to celebrate film, not tear it down. Check it out or Mikey will be very sad and eat everything in the nearest Dairy Queen snack freezer.”
I made a bow and arrows in the wild using only natural materials and primitive tools I’d made previously from scratch (as usual). The tools used were a celt stone hatchet, a stone chisel, various stone blades and fire sticks.
Filmed in the wilds of Far North Queensland, Australia, our silent craftsman ventures out into the bush to camp and make these videos. Self taught from books, the internet and trial and error, this is a hobby and not a way of life: “I live in a modern house and eat modern food. I just like to see how people in ancient times built and made things.”
“Primitive technology is a hobby where you make things in the wild completely from scratch using no modern tools or materials. This is the strict rule. If you want a fire- use fire sticks, an axe- pick up a stone and shape it, a hut- build one from trees, mud, rocks etc. The challenge is seeing how far you can go without modern technology. If this hobby interests you then this blog might be what you are looking for.”
Evan Puschak talks about Howard Shore’s use of leitmotifs in The Lord of the Rings.
“I think that we hardly grasp the importance of music in film. It’s an invisible layer of pure emotion that guides us or challenges us, or guides or challenges the drama itself.
“In the Lord of the Rings trilogy, Howard Shore gave us perhaps the most complete and complex exploration of leitmotifs in the history of cinema, and the result is a score that is as alive as the world Tolkien gave us.”
Hieronymus van Aken honed his skills to become a world-famous artist. Once his fame had spread outside the city walls, he would sign his work with ‘Hieronymus Bosch’, after the name of his native city.
The Garden of Earthly Delights is a story about morals and sin in a particular time. The painting however is timeless. The journey that the visitor sets out on in the interactive documentary is a personal one. Beneath the surface we aim to invite the visitor to reflect upon and question their sins and morals.
“In the late Middle Ages, a master-painter lived in the south of the Netherlands. […] Bosch was out to amuse and surprise us, he wanted us to enjoy the sight of this multitude of figures, animals, plants and objects.”
By Bill Wurtz.
Stuart Brown: Doom is a massively important step in the development of 3D action games. One that defined the first person shooter and changed gaming forever.
If you had a PC — you had to have Doom.
Lewis Bond: The cinema screen is just another canvas for an artist to create images. Composition is the tool that gives those images structure and purpose.